The art exhibition by Seher Shah, 'When Words Disappear into Trees', at the Green Art Gallery is open to the public between 22nd March to 5th June, 2021.

Seher Shah’s practice uses experiences from the field of art and architecture to think about space, landscape, objects and aesthetics through drawing, printmaking and sculpture. In recent years her work has been concerned with the language of drawing and how to represent an experiential nature of space. The relationships within perspective drawings, the aesthetics of architecture, and materiality within drawing and sculpture are some of the preoccupations in her practice. Her work draws through scale shifts between the individual to architecture, personal memory to collective historical events, and the transformation of symbols and spaces.

In the artist’s own words, Seher Shah describes her exhibition with art and with poetry:

“A broken limb made of stone, placed in a foreign country.

A sound wave, moving through air as an incomplete line.

A hermetic language, unable to speak, and left as an argument from silence.
 Absence is defined as a state in which something desired is not present or does not exist. Silence created by emptiness. An unknowable measure of distance between things. A negative space.

I have been thinking through absence between the visible and unseen parallel to the city I live within. I am learning how to listen to a city through the fragments it reveals. A language that is both distant and familiar. A city whose histories and ruins lie within its fractured foundations and arteries. When Words Disappear into Trees are my studies into absence. Works on paper with marks that retain the traces of time bind fragments of places both real and imagined. The fractured histories within the Gandhara sculpture collection in a Chandigarh museum are positioned alongside a series of night landscapes. A series of variations on the incomplete line fall between architectural abstraction and music notation, but communicate neither language in their entirety.

In the recesses of my mind an unsettled thought remains. What is a measure of violence between absence and deletion through architecture, language and history? I found distant echoes of this deletion in a fragment from Poems of the Night, meditations on darkness. This has remained with me for several years through a turbulent social and political landscape.”

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